Press
The Grass Has So Little to Do
July 11-September 12, 2026 – Lakeville Journal
Boundless Color
2025: Art Object – Highlights from Upstate Art Weekend 2025
Art + Soul
The Storied House Art Collection at Archer Hotel
A Keith Haring Mural is Unexpectedly Unveiled in Manhattan
October 12, 2021: Hyperallergic, Valentina Di Liscia
The Pain and Sweat of Merce Cunningham Dancers, Captured in Latex
April 29, 2019: The New York Times, Michael Kimmelman
New York City Center Presents New Work by Jorge Otero-Pailos
February 28, 2019: Hyperallergic
Nina Robinson: Home
2019: New York City Center Video
New York City Center Commissions Portrait Series from Nina Robinson
October 25, 2018: Broadway World
City Center Announces 75th Anniversary Visual Art Installation
September 24, 2018: Broadway World
Deborah Goodman Davis: The Family Business
April 30, 2018: Musée Magazine, Interview by Andrea Blanch
Exclusive Photos Celebrate 75 Years of New York Center
September 28, 2018: Town & Country, Adam Rathe
Celebrating Culture in Napa Valley
April 2018: 805 Living Home + Garden
Drug Culture: Picturing Pharmaceuticals Since 1850
December 8, 2017: Hyperallergic
Hoteliers Become Curators as Reproductions Create Market Niche
May 1, 2015: The Art Newspaper
How Art Curators Help Boutique Hotels Stand Out
April 3, 2015: Marketplace
Hotels Move Into Manhattan’s Garment District
September 27, 2014: The New York Times
Residential Touches Inform a New York Hotel
September 2014: Hospitality Design
New York Auction Raises $12.3 Million for Lehman Brothers Creditors
September 28, 2010: Artforum
Bargains Available
September 28, 2009: Barron’s
The Art and the Deal
Fall 2008: Englewood Magazine
Jorge Otero-Pailos: Répétiteur
Jorge Otero-Pailos (1971–)
Art title
Art description
The installation focused in particular on marks left by Merce Cunningham’s dancers as they leaned against the walls during rehearsal. The casts were displayed horizontally in four-foot-square light boxes on shin-high platforms and arranged according to Cunningham’s grid system, based on the 64 hexagrams of the I Ching. A soundtrack drew on archival recordings of Cunningham preparing his company to perform Exchange, Roaratorio, and CRWDSPCR.

